He was 26, the oldest of six siblings, and his mother describes him as being like any other kid. Police found his body on the side of the South Jackson road at 4 a.m. Gun violence killed Tramaine on J, on Belvedere Drive near Fremont Street close to both Peeples Middle School and Key Elementary. We talked on the phone, and he said he may stop by, but just spending time with him, Fourth of July was the last time,” the mother said. “The last time we saw him was on the Fourth of July. Everything was good, she said.Īs an added bonus, her son, Tramaine, got out of prison after being locked up almost a year for burglary right before July 4 festivities. Green and her family were navigating COVID-19 with caution, following guidelines and using the supplies she would bring home from her job. She was thinking then of going back to school to pursue a career in the medical field, to try to better herself, the 42-year-old said. She got up each weekday to go to work at her job at Walmart on Highway 18, not a far commute from where she lives in West Jackson. When the pandemic first started in March 2020, Green was just your average working mother. “He had his own ways, but everybody loved him.”
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He loved his family,” Shaneika Green, Tramaine Green’s mother, told the Mississippi Free Press in her Jackson living room on June 7, 2021. His ashes, in a blue urn with gold embellishments, sits not far from his photo. The photo hangs in his family’s living room right across from the kitchen. A blue Mustang is parked in the background. He’s wearing a red shirt and has earbuds in his ears and a blue towel in his hand. He and Shirley share the same birthday month: February. Tramaine Green (middle) with his younger sisters, Shirley (left) and Odella Green (right). But I’m curious to hear opinions from those of you who stuck it out through eight increasingly baroque plotting, violence, sex, betrayals and hallucinations.Tramaine Green, 26, stares into the camera, almost as if the person taking the picture snapped the photo at just the right moment. Grammer’s good enough that I’ll come back, either way, at least for a little while. Yet this flowery, ripe style has so defined the show this year that it would be strange to see it go for a more realistic style next year. Starz can’t be happy with the ratings (and may not have renewed the show had Chris Albrecht done it before the show even premiered), nor with the rising level of critical apathy as the season went along. I’ll be curious to see if this is the overall tone of season 2. Looked at as a grand experiment to try an older style of drama in a familiar context, though? Well, it’s not Shakespeare, or even “Kings,” but it’s also not exactly dull, and the season was relatively short. Looked at through a usual lens, this is a profoundly silly show with a kick-ass central performance and an eyeball fetish to put Tarantino’s foot fetish to shame.
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You cannot apply the logic of either modern life or the modern TV drama to it, because it will not stand up to that type of scrutiny. (Or in the way that various modern dress Shakespeare adaptations have worked.) Everything’s enhanced, everything’s melodramatic and eloquent and protracted and bloody. I actually stopped watching for a few weeks, and spent a recent afternoon catching up, including last week’s memorably vicious episode where Tom Kane sold out his daughter to save his own image.Īnd in watching 3 or 4 episode in a compressed time period, I realized – well before one of the rebel ward bosses spelled it out in the finale by saying, “This isn’t the 15th century and we’re not in fucking Florence” – that the only rational way to view “Boss” is to imagine that it’s a Renaissance drama in modern drag, in the same way that NBC’s short-lived “Kings” tried to tell Bible stories about characters in a world resembling 21st century America. My interest in “Boss” dropped precipitously after the first few episodes, once I realized that Kelsey Grammer’s performance on its own wasn’t enough to make me overlook the over-heated ludicrousness that made so much of the show around him (and even some of his own moments) feel like instant self-parody. A quick review of the “Boss” season finale coming up just as soon as I inhale a bottle of computer duster…
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